![]() ![]() TONE TIP: Start with the Marshall’s Tilt control at “5” to simulate using both Marshall channels at once, and dial to the left if you desire more warmth. (Image: © Clayton Call/Redferns/Getty Images) Placing the Echoplex in the signal chain between the guitar and the Tube Driver causes the delay/echo effects to only be prominent on more sparse and percussive parts and “duck” or sound more like reverb when playing faster and more aggressive lines. Johnson’s “bounce” picking technique, where he brushes upstrokes on the strings instead of plucking them, is also a key element of his smooth, violin-like tone that minimizes the percussive attack. Butler and highly recommended) so its gain provides smooth compression without overly distorted sizzle. Several details are crucial for generating Johnson’s violin-like tone, including turning the amp’s presence and treble controls all the way down, using a Y-cable to access both channels turned all the way up and dialing in the Tube Driver (still made today by B.K. ![]() This one is good but Camilo forgot to share the preset ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |